I have been a photographer for about three years or so. Self taught, there is a lot I've had to learn on my own. For some reason the concept of nerves during a photoshoot and how to deal with them came to mind. I would say 75% of the people that I have photographed have been nervous. I don't mean slight nerves, I mean the kind where they feel completely out of their element; fish out of water. Now thinking about my demographic; actors, models, couples that have a built in support, you would think that wouldn't exist. But the worst part is that 95% of the time, I'm nervous. Thoughts like, "will my equipment fail, will my ideas be horrible, will the shots be in focus, are they judging my non professional apartment 'studio' or my behind the scenes ghetto props, will they hate the photos I give them, did I get enough good shots, this lighting sucks." One time I was photographing a wedding and my flash fried. I was sitting in the bridal suite on the floor when I started to smell burnt batteries...."shit..." There are no other words than that. Actually there are but they're much worse. I didn't have a fast enough backup flash. Champagne glasses were toasting as I froze then slinked into my corner. My eyes probably the size of golf balls, while thoughts ran a million miles a minute.
"Are you okay?"
"Absolutely, just organizing my equipment," something like that.
"Okay, higher the ISO, hope that daylight hours don't run out, utilize my very slow flash during the dance but make sure to have it on low power so that it won't lag too much in between shots, so that means I need a wider aperture, more possibilities of out of focus shots, PLEASE DON'T BE OUT OF FOCUS!"
But there are no room for nerves. As a photographer you are the director. You are the inspiration. You are the leader. You can't show your nerves for one second. If anyone catches wind of it, they will absorb those nerves and multiply them. Or worse...have doubts in you! So you direct; you keep calm, chat about all sorts of random topics, ask a million questions. You heighten what works, you lessen what doesn't. Part of this is why I really, really, shall I add another really, want to become a film director. I live off of those 95% nerves. Taking those nerves and molding them into ideas that live and breathe in front of the camera.
So maybe there is room for nerves, just really well controlled ones.